Gucci looks at stereotypes of gendered dressing for womenswear (left) and men (right) for Fall 2015. Pictures / Supplied.

Gender Irrelevant?

Blending traditional menswear and womenswear is more about ease than identity

Lithe limbs, cheekbones that could cut glass and long, flowing hair — it’s fair to say that many modern male models don’t conform to old-fashioned ideas of masculinity, and, these days, nor do the clothes they’re paid to show off. Although looks among their female counterparts may be less diverse, there’s certainly a sense that the line between male and female codes of dress is increasingly becoming blurred.

Gender-blending is not new — from Marlene Dietrich to David Bowie and Tilda Swinton today, there is something fascinating about a person who is not bound by the expectations of their gender. But is the modern take more about the interplay between than attempting to ape your opposite?

The London department store Selfridges certainly thinks so, as it has opened Agender, an interconnected three-storey space designed to exist outside traditional ideas about gendered dressing.

“It’s about wearing whatever you want,” says Linda Hewson, creative director of Selfridges. “It’s not necessarily androgynous or unisex, but rather an approach to the fashion spectrum that makes the selection accessible to everyone. It’s not about harnessing a trend but rather tapping into a mindset and acknowledging and responding to a cultural shift.”

Kilts, tunics and robes for men all have their roots in traditional and religious garb, and it’s now 30 years since Jean Paul Gaultier first proposed skirts for men — raising eyebrows as he did.

But cultural commentator Peter York, doesn’t think the Selfridges project will be sparking copycats throughout the retail industry any time soon.

“This is a big store. It isn’t Shoreditch. People who shop on Oxford St are not gender-neutral, and particularly some of those from the Middle East are not gender-neutral; they are fantastically gendered.”

Borrowing from the boys is a tactic beloved of many female fashion lovers, as knitwear, shirts and even jeans and trousers are often made from much more sturdy materials and in classic cuts, proving a sound investment for the unfussy dresser. But that trend swings both ways — and according to Hewson, men are increasingly unafraid to shop for women’s clothing and accessories.

The most recent menswear shows were full of tunics, dresses and robes that are more a real-world fashion prospect than attention-grabbing tactics.

At the Fall 2015 womenswear shows presented in February, the conversation continued with Gucci designer Alessandro Michele playing with stereotypes of gendered dressing: female and male models wearing the same romantic, ruffled blouses and retro-inspired suiting.

Nicomede Talavera is one designer who has made such garments something of a signature, inspired by the long unisex robes worn by Muslim men. “I remember seeing these cool guys outside the mosque,”

Talavera told of the inspiration for his spring/summer collection last June, explaining that they looked masculine, despite wearing what would have been seen as a kind of dress by many of his peers.

“The energy and attitude of the young London designers, in particular, is all about being part of a community and nothing to do with traditional ideas of gender,” says Hewson.

London does seem to be one of the few places in the world that such a retail experiment could take place: “It feels like both a game-changing and very natural thing to do right now.”

“Choice and the ability to express oneself through clothing is not a bad thing,” agrees Jo Nilsson, co-founder of gender-neutral children’s clothing brand Polarn O Pyret. Nilsson is all for encouraging boys and girls to dress the way they want, but doesn’t believe that this necessarily correlates with the gender divide.

“If you look at children’s clothing a century ago, colour palettes were the same for boys and girls, yet there was a gender divide socially and economically.”

The practicality of gender-neutral clothing for children may be its strongest selling point, as Nilsson designs clothes to be handed down between brothers and sisters.

But the aesthetic has reached the least pragmatic echelon of fashion, too, as Rad Hourani presents his luxurious unisex collections on the haute couture schedule to great acclaim — from all genders.

— The Independent

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